… at 9,000 feet in Ashley National Forest in northwestern Utah.
technology
rimed …
… in the forest at my university.
history …
… near Amarillo, Texas.
fernivore …
This fungus apparently likes to ingest ferns in the forest at my university.
Drawing with light
Crystallize by Paul Cocksedge at the Design Museum in London
In the kingdom of the blind…
“In the kingdom of the blind, the one-eyed man is king.” – Erasmus
Garden of Eden, circa 2012
Dramatis DaVinci: Technopoly
“…the culture seeks its authorisation in technology, finds its satisfactions in technology, and takes its orders from technology.” – Neil Postman
Dramatis DaVinci: Third Shift
Dramatis DaVinci: Close Encounters
Dramatis DaVinci: the Madonna of Metropolis
View the series.
Dramatis DaVinci: Redeye
And now, phase two of the series, where I revisit some of these images with an eye toward processing for maximum drama. Up first:
View the series.
The DaVinci Gallery: Madonna and Construct
View the series.
The DaVinci Gallery: Technocracy
“Technocracy is a culture in which you have serious technology competing with a more traditional social and symbolic world.” – Postman
View the series.
The DaVinci Gallery: Icarus
I recently made two trips to the DaVinci Machines Exhibition in Denver. In the coming days I’ll be sharing some of my shots from these excursions (and trying to resist the urge to talk too much about what it is I think I’m doing). We’ll begin with this, one of my favorites.
View the series.
The DaVinci Gallery: a Study in High Dynamic Range
Lately I’m working not only on my actual camera ability, but also on better understanding the technology of processing images. Friday I spent a couple of hours in the DaVinci Machines Exhibit in Denver working on both composition and technical skills (shooting in lower light, for instance) and doing so with an eye toward how I’d be outputting the images later. Interesting results.
I bracketed everything I shot (three exposures: -3, 0 and +3) to enable composite High Dynamic Range (HDR) processing. For those who don’t know these terms (an audience that included me three months ago), bracketing is a process where the camera takes three (usually) exposures – with one slightly overexposed and one underexposed – so that the images can then be composited using image processing software (in this case, Photomatix). The result: “a greater dynamic range between the lightest and darkest areas of an image than current standard digital imaging methods or photographic methods.”
The sequence below comprises five different takes on the same raw image of DaVinci’s inclinometer. First, the basic shot, fine tuned a bit in Photoshop.
5280 Lens Mafia 