hey, Jim. where’d you go?
it looks like it’s time to get good at still life. real life outside sucks right now. some explorations coming up here. if I can get out of bed.
An incredible hole in the sandstone at Arches National Monument. Nasim Mansurov has a similar image at the beginning of his article on using Nik software to do B&W images (https://photographylife.com/how-to-take-black-and-white-pictures). Quite good. I though I’d use my own image from this location at Arches to see how well the program did. This is my first try ever at the program. Any thoughts on us and B&W and preferences?
[an inaccurate paraphrasing of FDR, whoever he was.] again, the art is by Amber Stene.
they never pick up after themselves. [as always in this series, the art is by Amber Stene]
I saw Denny’s after the fire below. Amber and I were in Mesa Verde, CO, back in 2004 …
a winter’s downtown train overpass, with trees grown in paint by Amber. and a skeletal weed. everyone’s dreaming of spring.
My brother introduced me to the idea of the G.C.E. / Gross Conceptual Error, years ago. No, you are not a bird. Funny thing, the birds won’t go to this feeder now. They are going only to Amber’s, which she relocated to this tree just yesterday
Sunday morning downtown. So empty. But Amber’s art wakes me.
Carhenge in Nebraska, with Amber’s art of Paco the bull slyly coming around a corner.
A while back, Amber and I started an advertising agency based on art, rather than numbers and hard sell. I was a professor of advertising, Amber was a graphic designer and MFA student. We wanted to see if this new concept for advertising would work. It didn’t. No clients. We had set up a Web site to help people know what we were doing. I shot up a number of photographs that Amber manipulated for our main Web pages. We collaborated on every aspect of the work from the start. If given a chance, the agency could have produced some stunning adwork … maybe changed a few minds about what advertising could be like. Maybe be very effective. We will never know.